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Songs like “Starz2therainbow” (featuring Thaiboy Digital) and “Summertime Blood” (featuring Bladee and Ecco2k) are some of the LP’s most interesting attempts at stepping outside the box. “I feel like hurtin’, feel like slaying, I’m a searcher at work / Raindrops in the fog creep like a fox, it’s absurd / I fell for you like a cliff, wishing well, take a seat / Love in my heart, but it's a sad song / Red fog, red fog, three red, dead dogs.”
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Harkening more to his hip-hop days, Lean’s voice acts as the centerpiece as he raps over a beat that screams “late night summer drive.” With his awkward yet smooth flow, Lean’s music may change, but his persona will always revolve around the grimly indeterminate future: “Gold” is easily one of the project’s “diamond in the rough” moments. Ironically enough, the album cover - a pencil drawing of various symbols and objects with Lean as the focus - perfectly encapsulates the mixtape: a confusing collection of music that is as difficult to listen to as it is to understand what exactly Lean wants to accomplish.
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The Spectrum has been covering the University at Buffalo since 1950, your donation today could help #SaveStudentNewsrooms. There are too many moments to count when Lean is clearly singing or rapping over a song’s beat, but the less-than-stellar audio engineering/mixing makes his voice practically unintelligible, hindering fans from even enjoying the lyrics. In fact, this seems to be the project’s biggest problem as a whole. The project’s problems start off instantly with the FKA Twigs collaborative track, “Bliss,” and the solo sophomore track, “Trip.” As exciting as the production is and as enigmatically beautiful as Twigs’ voice is, Lean simply can’t match the energy, as he leans into the mumble-rap subgenre to the point of incoherence. But sadly, like some of his other post-2016 projects, the artist’s music feels like a creative mess desperately trying to find its footing, with a confusing combination of musical ingredients that often result in less than favorable dishes. Like anyone else, the rappers and hip-hop artists of our day are dealing with their own shit what better way to express themselves then to hop on the mic and vent about it? This is our round-up of the most depressing rap songs.Even with this label serving as an alternative mixtape, Lean still maintains a semblance of the hip-hop that once made him a household name. Then there’s the personal dispatches from the hedonistic realms of Future and Lil Wayne. Kendrick Lamar ’s “u” explicitly reveals his pain behind closed doors-being the greatest rapper in the world can only heal so much (Lamar on the song: “That was one of the hardest songs I had to write.That shit is depressing as a motherfucker.
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Company Flow’s classic Funcrusher Plus notably took a break from dense rhyming for El-P to hauntingly remember his abusive stepfather. Cole -even when male emotional introspection and mental health weren’t part of the dominant narrative. Many other rappers have embraced vulnerability in recent years, including Freddie Gibbs, Kanye West, and J. Someone needs to talk you through why you’re feeling these feelings.” “Three of your brothers are dead and your mother used to beat you,” he said in one of his Footnotes episodes. Jay Z -who once rapped about being hard in the pursuit of hard cash in 1996’s Reasonable Doubt -became one of the main voices of that shift during the 4:44 campaign. Still, treating that pain as a mental health issue has been a recent development. The bleakness feels natural for a culture that grew out of urban plight and the trauma of impoverished people of color it makes sense that at least some of the lyrics reflect those misfortunes and their lasting effects on the psyche.
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After all, Grandmaster Flash & the Furious Five’s 1982 classic “The Message” wasn’t exactly a joyful number. Hip-hop has been cranking out living-it-up bangers for decades, but the average historian is (or should be) aware that dark thoughts aren’t a foreign concept for the genre.